Soft-focus golden bubbles rising through Birra Moretti beer – drinks photography
Condensation on a Birra Moretti glass with the L'Autentica logo – drinks film by Max Bridge
Golden beer and condensation through the side of a Birra Moretti glass – drinks film by Max Bridge
Birra Moretti glass on a stone table in warm sunlight, from the That Summer Feeling film
Close-up of the Tanqueray No. Ten bottle's green glass and label – drinks film directed by Max Bridge
Tanqueray No. Ten bottle in deep green shadow, from the Shape of Tanqueray film
Cut-crystal whisky glass on a gold table with The Dandy title, from the Penhaligon's launch film
Three Penhaligon's The Dandy bottles on a gold side table beneath the Dandy title – fragrance film
The Dandy title card glowing in a dark speakeasy, from the Penhaligon's film
Penhaligon's The Dandy bottle framed by the curve of a brass horn – fragrance film
Hand reaching towards a glowing lamp in an arched speakeasy set, from Penhaligon's The Dandy film
Asahi Super Dry bottle and pint on a red set with a shaft of light – tabletop film by Max Bridge
Condensation beading on an Asahi Super Dry bottle neck – drinks film
Super Dry lettering seen through condensation on an Asahi glass – drinks film by Max Bridge
Two chrome horse-head bottle caps facing each other, from Penhaligon's Chinese New Year film
Penhaligon's horse-head fragrance bottle on a black leather saddle, from the Chinese New Year film
Whisky glass seen from above, framed by beams of light, from the Haig Club film
Haig Club bottle and whisky glass on white blocks against a striped background, from the film
Blue Haig Club bottle cut by a sharp beam of light in a dark set – drinks photography
Figure on a ladder beside an Eau So British crate in a dark archive, from Penhaligon's 155th anniversary film
Carlsberg bottle against a mint green background with the Carlsberg logo – directed by Max Bridge
Ealing Gin bottle and a garnished gin glass on a green marble surface – drinks film by Max Bridge
Montblanc headphones in black on a white background – product film
Oil and Ice title over a black-painted ice sculpture – liquid film
Bubbles and splashes of clear water in slow motion – liquid film by Max Bridge
Water splashing in slow motion against a pale background – liquid film by Max Bridge
Ice sculpture dripping with black paint, from the Oil & Ice film
MADE logo over a red sofa draped in fabric, from the Made.com Cyber Monday film
MADE title card with a red velvet drape, from the Made.com campaign film
A Balm of Calm title card with a delicate kinetic sculpture, from Penhaligon's Potions – fragrance film by Max Bridge
Vra Vra Vroom title card with a propeller kinetic machine, from Penhaligon's Potions – fragrance film
A Kiss of Bliss title card with a gloved hand and brass horn, from Penhaligon's Potions – directed by Max Bridge
Eau the Audacity title card with a kinetic machine, from Penhaligon's Potions – fragrance film
Liquid Love title card with a Penhaligon's Potions kinetic machine – fragrance film by Max Bridge
Man peering through binoculars from an arched gothic window, from a Hendrick's film
Hand garnishing a Hendrick's gin and tonic in front of roses and cucumber – drinks film
Hendrick's gin bottle above a garnished glass among red roses – drinks film directed by Max Bridge
Hands holding a white Hendrick's gin bottle against a pale wall – drinks film

Commercial Director and Tabletop Specialist

Directing is where my two worlds meet. Having started my career on film sets before moving into photography, I now direct tabletop commercials, campaign films and social content, bringing the same eye for light that shapes my stills.

Motion Control

Motion control is a real passion of mine, so much so that I built my own rig during lockdown. When a brief calls for it, as tabletop work often does, I’m completely at home in that world, whether on my own system or alongside specialist partners with larger systems.

Post-Production

I’ve spent years retouching my own images in Photoshop, and more recently I’ve fallen in love with editing and colour grading in DaVinci Resolve. Together, they’ve given me a deep understanding of post-production. Knowing what can and can’t be achieved informs every decision, from pre-production through to the shoot itself. I work with trusted post-production partners when a project calls for it, and I’m equally comfortable editing and grading myself when needed.

Representation

Based in London, I’m represented for film by RARE Tabletop and for photography by At Rare. Contact either, or get in touch with me directly, to talk through your next project.